Cathedral of Night
I. Clerestory
Candles and cook-fires gild the faces of soldiers—
each platoon a nativity adoring this swaddle of holy light,
each man a saint receiving scripture.
And here is a scene worthy of high windows—
beneath the vaulted sky coffered with stars
a nurse bends low over a legless boy,
by lantern her stained cap gold as a miter. And yet
we cannot collect these nocturnal icons
on the collodion-plate. Silver nitrate dries too quickly
for the low lights of man, vanishes too swiftly
for the waxing moon. As sure as day
is our ally, night renders us powerless—
returns us to the primitive, keeps her mysteries,
will not be out-reasoned. Even with Gardner’s
advancements, darkness blinds the camera’s
cycloptic eye.
II. Scriptorium
Bayonets—detached from rifles
and driven into the belly
of the Pennsylvanian soil—hold candles.
The literate compose letters to wives, mothers,
or promised ones by the light of these
lethal votives. The unschooled
dictate stories, oaths to return, deceptions meant
to comfort, laundry lists intended to distract
the imagination of their readers. There are so many
whispering soldiers the camps become choirs.
There are so many candles burning,
the hills become altars—smoking tallow
mingles with the sweet-almond scent
of gangrenous wounds. Strange incense
acrid enough to rouse the derelict
angels.
III. Reliquary
Seeking a memento, I search the living
dark, pass down an ambulatory
of sound—purrs low and soft,
snores, rattles, breath snagged
in half-consumptive lungs. The occasional
night scream. Finally I come to
the image I would take—my soldier is no more
than eighteen, but so weary my footfalls
do not wake him. I want to remember
his face luminesced, his head resting
on an empty haversack, his body retreating
into itself. If I were a rebel, he would die now
without waking, without fear, with his dreams
preserved and protected—hearth and home,
the turn of a lady’s throat, a roasted shank,
the plump curve of a whore’s thigh, the plunge
of his saber into the gut of a Confederate. God knows
what these young men see
when they close their eyes. The moon lies,
shows them all as innocents, unsullied as marble
saints. But at dawn they will rise, become again
the Army of the Potomac.
Daniel Nathan Terry, Poet, Poetry, Poem, Gay Poetry, Gay, Civil War, Civil War Photographs, Photographer, Photography, Hurricane Katrina, Katrina, New Orleans, Gulf Coat, UNCW, University of North Carolina at Wilmington, Creative Writing, Capturing the Dead, Soldiers Bathing, Harvest of Death, A Burial Party, War, Mathew Brady, Timothy O'Sullivan, Alexander Gardner, NFSPS, Seven Kitchens Press, Lethe Press, Spilt This Rock, Sibling Rivalry Press, Collective Brightnes, Persistent Voices, Waxwings
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